The Shurangama Sutra - Volume One

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The Shurangama Sutra, Volume One: A Simple Explanation by the Venerable Master Hsuan Hua
Book
Translations of Sutras (Chi-Eng)


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Description

This is the first of eight volumes of the Shurangama Sutra, with commentaries from the Venerable Master Hsuan Hua.
      In "The Ten Doors of Discrimination", the Venerable Master uses the traditional Syan Shou School's method of expounding the Sutra's deep contents. Here the Master discusses the complete title of the Sutra, its causes and conditions, division, depth and meaning, teaching substance, individuals able to receive the teaching, similarities and differences and the determination of time.
      In "The History of the Transmission and Translation", the Master introduces Shramana Paramiti, Shramana Meghashikara, Shramana Hwai Di and disciple Fang Yung, who were the translator, the reviewer, the certifier and the editor respectively.
      In "The Testimony of Faith", Shakyamuni Buddha's great disciples are mentioned as testification to the awesome faith in the Buddha. Shariputra, Mahamaudgalyayana, Mahakaushthila, Purnamaitreyaniputra, Subhuti, Upanishad, and other great Bodhisattvas and Arhats were among those who were present.
      Then, the causes and conditions for the Sutra is revealed in "Ananda’s Fall", where the Venerable Ananda, the Buddha's youngest cousin, was tempted by Matangi's daughter, the prostitute. Fortunately, the Buddha, knowing this in advance, instructed the greatly-wise Manjushri Bodhisattva to rescue Ananda from the indecent artifact which nearly caused Ananda to break his precept substance.
      Realizing his great error and his lack of samadhi, Ananda then reverently requested instruction. In "The Way to Shamatha", Shakyamuni Buddha attempts to reveal the true reason for Ananda's fall; it was because Ananda did not realize the falseness of his own mind. Even with all his years of learning, Ananda still had not yet recognized his true mind and so had not attained sagehood.
      Finally, in "Ananda Repents and Seeks the Truth", Ananda realizes that the Buddha cannot bestow salvation upon him. He has to actually walk the path and cultivate the Way. Again, Ananda requests the Buddha's compassionate instruction.
      The Buddha then prepares to erect the great Dharma banner for all living beings so that they can obtain the wondrous subtle secret, the pure nature, the bright mind, and attain the pure eye.
      The wondrous journey into the Shurangama Sutra's deep, profound teachings begins. (Buddhist Text Translation Society, introduction, vi–vii)
Citation
Buddhist Text Translation Society, trans. The Shurangama Sutra, Volume One: A Simple Explanation by the Venerable Master Hsuan Hua. 2nd ed. Burlingame, CA: Buddhist Text Translation Society, 2002. https://repstein.faculty.drbu.edu/Buddhism/Shurangama/ps.ss.02.v1.020526.screen.pdf.
Publisher Link
Table of contents
  • Introductionvi
  • User's Guideviii
  • Exhortation to Protect and Propagateix
  • The Eight Guidelinesxii
  • Outlinexiii
  • Chapter 1. The Ten Doors of Discrimination1
    • The General Explanation of the Title4
    • Causes and Conditions for the Arising of the Teaching30
    • The Division and The Vehicle52
    • The Depth of the Meaning and Principle54
    • The Teaching Substance62
    • Individuals Able to Receive the Teaching64
    • Similarities, Differences and Determination of Time66
  • Chapter 2. The History of the Transmission and Translation68
    • The Translator70
    • The Reviewer, Certifier and Editor76
  • Chapter 3. The Testimony of Faith79
  • Chapter 4. Ananda’s Fall21
  • Chapter 5. The Way to Shamatha155
    • The False Consciousness is Without a Location167
    • The False Consciousness is Not the Mind215
    • The False Consciousness is Without a Substance253
  • Chapter 6. Ananda Repents and Seeks the Truth267
Interconnections
1 Full translation of
Sutra portrait.jpg
Classical WorksAbout this item
Śūraṃgamasūtra. (T. Dpa' bar 'gro ba'i mdo; C. Shoulengyan jing; J. Shuryōgongyō; K. Sunǔngǒm kyǒng 首楞嚴經). A Chinese indigenous scripture (see apocrypha), usually known in the West by its reconstructed Sanskrit title Śūraṃgamasūtra, meaning "Heroic March Sūtra." Its full title is Dafoding rulai miyin xiuzheng liaoyi zhu pusa wanxing Shoulengyan jing, in ten rolls. (This indigenous scripture should be distinguished from an early-fifth century Chinese translation of the Śūraṃgamasamādhsūtra, attributed by Kumārajīva, in two rolls, for which Sanskrit fragments are extant.) According to the account in the Chinese cataloguer Zhisheng's Xu gujin yijing tuji, the Śūraṃgamasūtra was brought to China by a śramaṇa named Pāramiti. Because the Śūraṃgamasūtra had been proclaimed a national treasure, the Indian king had forbidden anyone to take the sūtra out of the country. In order to transmit this scripture to China, Pāramiti wrote the sūtra out in minute letters on extremely fine silk, then he cut open his arm and hid the small scroll inside his flesh. With the sūtra safely hidden away, Pāramiti set out for China and eventually arrived in Guangdong province. There, he happened to meet the exiled Prime Minister Fangrong, who invited him to reside at the monastery of Zhizhisi, where he translated the sūtra in 705 CE. Apart from Pāramiti's putative connection to the Śūraṃgamasūtra, however, nothing more is known about him and he has no biography in the Gaoseng zhuan ("Biographies of Eminent Monks"). Zhisheng also has an entry on the Śūraṃgamasūtra in his Kaiyuan Shijiao lu, but there are contradictions in these two extant catalogue accounts of the sūtra's transmission and translation. The Kaiyuan Shijiao lu merely records that the śramaņa Huidi encountered an unnamed Western monk at Guangdong, who had with him a copy of the Sanskrit recension of this sūtra, and Huidi invited him to translate the scripture together. Since the names of this Western monk and his patron Fangrong are not mentioned, the authenticity of the scripture has been called into question. Although Zhisheng assumed the Śūraṃgamasūtra was a genuine Indian scripture, the fact that no Sanskrit manuscript of the text is known to exist, as well as the inconsistencies in the stories about its transmission to China, have led scholiasts for centuries to questions the scripture's authenticity. There is also internal evidence of the scripture's Chinese provenance, such as the presence of such indigenous Chinese philosophical concepts as yin-yang cosmology and the five elements (wuxing) theory, the stylistic beauty of the literary Chinese in which the text is written, etc. For these and other reasons, the Śūraṃgamasūtra is now generally recognized to be a Chinese apocryphal composition. The sūtra opens with one of the most celebrated stories in East Asian Buddhist literature: the Buddha's attendant Ānanda’s near seduction by the harlot Mātaṅgī. With Ānanda close to being in flagrante delicto, the Buddha sends the bodhisattva Mañjuśrī to save him from a pārājika offense, by employing the śūraṃgama dhāraṇī to thwart Mātaṅgī's seductive magic. The Buddha uses the experience to teach to Ānanda and the congregation the śūraṃgamasamādhi, which counters the false views about the aggregates (skandha) and consciousness (vijñāna) and reveals the tathāgatagarbha that is inherent in all sentient beings. This tathāgatagarbha, or buddha-nature, is made manifest through the śūraṃgamasamādhi, which constitutes the "heroic march" forward toward enlightenment. The Śūraṃgamasūtra was especially influential in the Chan school during the Song and Ming dynasties, which used the text as the scriptural justification for the school's distinctive teaching that Chan "points directly to the human mind" (zhizhi renxin), so that one may "see the nature and achieve buddhahood" (jianxing chengfo). Several noted figures within the Chan school achieved their own awakenings through the influence of the Śūraṃgamasūtra, including the Ming-dynasty master Hanshan Deqing (1546–1623), and the sūtra was particularly important in the writings of such Ming-dynasty Chan masters as Yunqi Zhuhong (1535-1615). The leading Chan monk of modern Chinese Buddhism, Xuyun (1840-1959), advocated the practice of the Śūraṃgamasūtra throughout his life, and it was the only scripture that he ever annotated. As a mark of the sūtra's influence in East Asian Buddhism, the Śūraṃgamasūtra is one of the few apocryphal scriptures that receives its own mention in another indigenous sūtra: the apocryphal Foshuo fa miejin jing ("The Sūtra on the Extinction of the Dharma") states that the first sūtra to disappear from the world during the dharma-ending age (mofa) will in fact be the Śūraṃgamasūtra. The Tibetan translation of this Chinese apocryphon was produced during the Qianlong era (1735-1796) of the Qing dynasty; the scripture was apparently so important in contemporary Chinese Buddhism that it was deemed essential for it to be represented in the Tibetan canon as well. (Source: "*Śūraṃgamasūtra." In The Princeton Dictionary of Buddhism, 873–74. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)
1 Teaching based on
Sutra portrait.jpg
Classical WorksAbout this item
Śūraṃgamasūtra. (T. Dpa' bar 'gro ba'i mdo; C. Shoulengyan jing; J. Shuryōgongyō; K. Sunǔngǒm kyǒng 首楞嚴經). A Chinese indigenous scripture (see apocrypha), usually known in the West by its reconstructed Sanskrit title Śūraṃgamasūtra, meaning "Heroic March Sūtra." Its full title is Dafoding rulai miyin xiuzheng liaoyi zhu pusa wanxing Shoulengyan jing, in ten rolls. (This indigenous scripture should be distinguished from an early-fifth century Chinese translation of the Śūraṃgamasamādhsūtra, attributed by Kumārajīva, in two rolls, for which Sanskrit fragments are extant.) According to the account in the Chinese cataloguer Zhisheng's Xu gujin yijing tuji, the Śūraṃgamasūtra was brought to China by a śramaṇa named Pāramiti. Because the Śūraṃgamasūtra had been proclaimed a national treasure, the Indian king had forbidden anyone to take the sūtra out of the country. In order to transmit this scripture to China, Pāramiti wrote the sūtra out in minute letters on extremely fine silk, then he cut open his arm and hid the small scroll inside his flesh. With the sūtra safely hidden away, Pāramiti set out for China and eventually arrived in Guangdong province. There, he happened to meet the exiled Prime Minister Fangrong, who invited him to reside at the monastery of Zhizhisi, where he translated the sūtra in 705 CE. Apart from Pāramiti's putative connection to the Śūraṃgamasūtra, however, nothing more is known about him and he has no biography in the Gaoseng zhuan ("Biographies of Eminent Monks"). Zhisheng also has an entry on the Śūraṃgamasūtra in his Kaiyuan Shijiao lu, but there are contradictions in these two extant catalogue accounts of the sūtra's transmission and translation. The Kaiyuan Shijiao lu merely records that the śramaņa Huidi encountered an unnamed Western monk at Guangdong, who had with him a copy of the Sanskrit recension of this sūtra, and Huidi invited him to translate the scripture together. Since the names of this Western monk and his patron Fangrong are not mentioned, the authenticity of the scripture has been called into question. Although Zhisheng assumed the Śūraṃgamasūtra was a genuine Indian scripture, the fact that no Sanskrit manuscript of the text is known to exist, as well as the inconsistencies in the stories about its transmission to China, have led scholiasts for centuries to questions the scripture's authenticity. There is also internal evidence of the scripture's Chinese provenance, such as the presence of such indigenous Chinese philosophical concepts as yin-yang cosmology and the five elements (wuxing) theory, the stylistic beauty of the literary Chinese in which the text is written, etc. For these and other reasons, the Śūraṃgamasūtra is now generally recognized to be a Chinese apocryphal composition. The sūtra opens with one of the most celebrated stories in East Asian Buddhist literature: the Buddha's attendant Ānanda’s near seduction by the harlot Mātaṅgī. With Ānanda close to being in flagrante delicto, the Buddha sends the bodhisattva Mañjuśrī to save him from a pārājika offense, by employing the śūraṃgama dhāraṇī to thwart Mātaṅgī's seductive magic. The Buddha uses the experience to teach to Ānanda and the congregation the śūraṃgamasamādhi, which counters the false views about the aggregates (skandha) and consciousness (vijñāna) and reveals the tathāgatagarbha that is inherent in all sentient beings. This tathāgatagarbha, or buddha-nature, is made manifest through the śūraṃgamasamādhi, which constitutes the "heroic march" forward toward enlightenment. The Śūraṃgamasūtra was especially influential in the Chan school during the Song and Ming dynasties, which used the text as the scriptural justification for the school's distinctive teaching that Chan "points directly to the human mind" (zhizhi renxin), so that one may "see the nature and achieve buddhahood" (jianxing chengfo). Several noted figures within the Chan school achieved their own awakenings through the influence of the Śūraṃgamasūtra, including the Ming-dynasty master Hanshan Deqing (1546–1623), and the sūtra was particularly important in the writings of such Ming-dynasty Chan masters as Yunqi Zhuhong (1535-1615). The leading Chan monk of modern Chinese Buddhism, Xuyun (1840-1959), advocated the practice of the Śūraṃgamasūtra throughout his life, and it was the only scripture that he ever annotated. As a mark of the sūtra's influence in East Asian Buddhism, the Śūraṃgamasūtra is one of the few apocryphal scriptures that receives its own mention in another indigenous sūtra: the apocryphal Foshuo fa miejin jing ("The Sūtra on the Extinction of the Dharma") states that the first sūtra to disappear from the world during the dharma-ending age (mofa) will in fact be the Śūraṃgamasūtra. The Tibetan translation of this Chinese apocryphon was produced during the Qianlong era (1735-1796) of the Qing dynasty; the scripture was apparently so important in contemporary Chinese Buddhism that it was deemed essential for it to be represented in the Tibetan canon as well. (Source: "*Śūraṃgamasūtra." In The Princeton Dictionary of Buddhism, 873–74. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)