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Description
This commentary presents Mipham's explanation of Śāntideva's text implicitly questioning the dominant Geluk interpretation. Mipham's commentary sparked intense debate and opposition from Geluk scholars and even some from his own Nyingma school. The disagreements were significant enough to prompt epistolary debates through a series of written refutations composed by prominent Geluk scholars. These disputes centered around differing interpretations of key Mādhyamika concepts and their implications for Buddhist practice and realization. Mipham's work represented a reassertion of the older school's understanding of Madhyamaka, which had been largely overshadowed by the Geluk interpretation propagated by Tsongkhapa and his followers. The controversy surrounding the Ketaka reflects the broader doctrinal tensions between the Geluk school's philosophical positions and those of the earlier Tibetan Buddhist traditions.
The Ketaka[1] Gem (Tib. ནོར་བུ་ཀེ་ཏ་ཀ་, Norbu Ketaka, Wyl. nor bu ke ta ka) — a commentary on the ninth chapter of the Bodhicharyavatara written by Mipham Rinpoche, based on the teachings of Patrul Rinpoche. It was composed in 1878, when Mipham Rinpoche was 32.
Lhobpon Rechunpa said:
- From the emanation of Lokeshvara, Dza Paltrul Rinpoche, [Mipham Rinpoche] received the Wisdom Chapter of the Bodhicharyavatara in only five days. Based on this, he wrote the commentary on the Wisdom Chapter known as the She Drel Keta Ka.[2]
Mipham Rinpoche himself said:
- When I was young, I was present when many accomplished, learned lamas gave Dharma teachings, but I only seriously studied Dza Patrul Rinpoche’s teachings on the Wisdom Chapter of the Bodhicharyavatara. Later, in dependence on the kindness of my venerable lama and Manjushri, no difficulties with study ever arose for me.
In the ninth chapter of Nectar of Manjushri's Speech, Khenpo Kunpal's commentary on the whole Bodhicharyavatara, Khenpo Kunpal closely followed (almost verbatim) Mipham Rinpoche's Norbu Ketaka.[3]
The commentary provoked several refutations from Gelugpa scholars, especially Pariwa Lobzang Rabsal and Drakkar Lobzang Palden Tendzin Nyendrak. Mipham Rinpoche wrote two lengthy responses to their objections: Clear Logic Illuminating Reality (rigs lam rab gsal de nyid snang byed) in response to Pariwa Lobzang Rabsal, and Response to Objections: The Light of the Sun (rgal lan nyin byed snang ba) to Drakkar Lobzang Palden Tendzin Nyendrak. (Source Accessed Jan 3, 2022)
Notes
- Ketaka is a gemstone that is said to be able to purify dirty water.
- Biography of Jamgon Ju Mipham Rinpoche Namgyal Gyatso by Lhobpon Rechungpa and Eric Forgeng (see rangjung.com)
- See Nectar of Manjushri's Speech, Padmakara Translations, Nov 2007, page 250.
Recensions
| Tibetan | Mi pham rgya mtsho. ཤེས་རབ་ལེའུའི་ཚིག་དོན་གོ་སླ་བར་རྣམ་པར་བཤད་པ་ནོར་བུ་ཀེ་ཏ་ཀ།, (Shes rab kyi le'u'i tshig don go sla bar rnam par bshad pa nor bu ke ta ka).
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Citations of Related Scholarship
With its roots in the rich Indian tradition of religio-philosophical disputation, the phenomenon of debating in Tibet is an integral element of monastic scholarship as it developed on the plateau. In the course of monastic education specific types of debates are utilised as a heuristic method to facilitate a student’s entrance into the intricacies of Buddhist doctrine.[2] Beyond the frame of everyday monastic courtyard debating, debates between different factions and schools serve not only as a pedagogical means, but often exhibit a more antagonistic nature. While Tibetan history is full of accounts of—at times very fierce—personal disputations, there are no records informing us about the exact development of these. As opponents were not always proximate in terms of space and time, debates also materialised in the form of polemical texts, composed to refute a (living or dead) opponent. These texts came to form an independent genre of Tibetan literature.[3] It is in texts of this genre where we
find recorded not only rather eristic forms of criticism, but also the expression of views that contributed to and reflected the most fundamental doctrinal differences that evolved in the different religio-philosophical traditions.[4]
In this paper, I intend to give a few glimpses into one specific controversy, a series of debates that originated towards the end of the nineteenth century subsequent to the composition of 'Ju Mipham's Nor bu ke ta ka. Providing a comprehensive picture of these debates is not only very difficult in general, but virtually impossible in the frame of a short article. I will therefore limit my focus to the discussion of a single concept, the doctrine of
satyadvaya.[5]
Notes
- (This note is attached to the article title) This article is the substantially revised and enlarged version of a paper titled "Die Lehre von satyadvaya in 'Ju Mi phams' Nor bu ke ta ka" that was presented at the Conference of German Orientalists (Deutscher Orientalistentag) in Freiburg in September 2007 and published in 2009 (Viehbeck 2009). I would like to thank Helmut Tauscher, Anne MacDonald, Dorji Wangchuk, Birgit Kellner, Patrick McAllister, and Susanne Kimm for their numerous comments and corrections. The research for this article was conducted within the project "Tibetan Madhyamaka Exegesis: Later Developments" (project P19597), headed by Helmut Tauscher and funded by the Austrian Science Fund (FWF). The final version of this article was completed within the project "Reasoning in South Asian and Tibetan Buddhism" under the leadership of Birgit Kellner, as part of the Cluster of Excellence" Asia and Europe in a Global Context," Heidelberg University.
- See Dreyfus 2003b for a detailed description of the role of debate in the monastic education system.
- Lopez 1996 gives a short description of 'polemics' as a literary genre. A more extensive discussion is found in Cabezón & Dargyay 2007: 11 ff.,together with a sketch of the history of polemical literature (pp. 18 ff.).
- As Cabezón has pointed out, studying polemical texts can therefore lead to a fuller picture of the richness and variegation of Tibetan scholastic culture, which can be easily overlooked when dealing with self-contained depictions of Buddhist doctrine by individual authors; cf. Cabezón 1995: 645 ff.
- It should be noted that the present article, concerned only with a single concept and focussed more on the starting point of the debates, the Nor bu ke ta ka, is preliminary, and that some of its assessments are tentative. More details of these debates, in particular within the controversy between 'Ju Mipham and Dpa' ris Rab gsal, are discussed in my Ph.D. thesis, see Viehbeck 2012.

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Tradition: Geluk
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Tradition: Geluk
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Tradition: Geluk
Length: 16
Tradition: Geluk
Length: 59
Tradition: Geluk

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Tradition: Nyingma
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