Translation of
Bodhicaryāvatāra
An "Introduction to Bodhisattva Practice," the Bodhisattvacaryāvatāra is a poem about the path of a bodhisattva, in ten chapters, written by the Indian Buddhist Śāntideva (fl. c. 685–763). One of the masterpieces of world literature, it is a core text of Mahāyāna Buddhism and continues to be taught, studied, and commented upon in many languages and by many traditions around the world. The main subject of the text is bodhicitta, the altruistic aspiration for enlightenment, and the path and practices of the bodhisattva, the six perfections (pāramitās). The text forms the basis of many contemporary discussions of Buddhist ethics and philosophy.
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Vimalakīrtinirdeśasūtra
Vimalakīrtinirdeśa (T. Dri med grags pas bstan pa'i mdo; C. Weimo jing; J. Yuimagyō; K. Yuma kyǒng 維摩經). In Sanskrit, "Vimalakīrti's Instructions"; one of the most beloved Indian Mahāyāna sūtras, renowned especially for having a layman, the eponymous Vimalakīrti, as its protagonist. The text probably dates from around the second century CE. Among the seven translations of the sūtra into Chinese, the most famous is that made by Kumārajīva in 406. His translation seems to have been adapted to appeal to Chinese mores, emphasizing the worldly elements of Vimalakīrti's teachings and introducing the term "filial piety" into the text. The sūtra was also translated by Xuanzang in 650. The sūtra was translated into Tibetan twice, the more famous being that of Chos nyid tshul khrims in the ninth Century. It has also been rendered into Sogdian, Khotanese, and Uighur. The original Sanskrit of the text was lost for over a millennia until a Sanskrit manuscript was discovered in the Po ta la palace in Tibet in 2001. The narrative of the sūtra begins with the Buddha requesting that his leading Śrāvaka disciples visit his lay disciple Vimalakīrti, who is ill. Each demurs, recounting a previous meeting with Vimalakīrti in which the layman had chastised the monk for his limited understanding of the dharma. The Buddha then instructs his leading bodhisattva disciples to visit Vimalakīrti. Each again demurs until MañjuśrI reluctantly agrees. Vimalakīrti explains that his sickness is the sickness of all sentient beings, and goes on to describe how a sick bodhisattva should understand his sickness, emphasizing the necessity of both wisdom (prajñā) and method (upāya). A large audience of monks and bodhisattvas then comes to Vimalakīrti's house, where he delivers a sermon on "inconceivable liberation" (acintyavimokṣa). Among the audience is Śariputra, the wisest of the Buddha's śrāvaka disciples. As in other Mahāyāna sūtras, the eminent śrāvaka is made to play the fool, repeatedly failing to understand how all dichotomies are overcome in emptiness (śūnyatā), most famously when a goddess momentarily transforms him into a female. Later, a series of bodhisattvas take turns describing various forms of duality and how they are overcome in nonduality. Vimalakīrti is the last to be invited to speak. He remains silent and is praised for this teaching of the entrance into nonduality. The sūtra is widely quoted in later literature, especially on the topics of emptiness, method, and nonduality. It became particularly famous in East Asia because the protagonist is a layman, who repeatedly demonstrates that his wisdom is superior to that of monks. Scenes from the sūtra are often depicted in East Asian Buddhist art. (Source: "Vimalakīrtinirdeśa." In The Princeton Dictionary of Buddhism, 971. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)
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One of the most revered and recited scriptures of the perfection of wisdom genre (prajñāpāramitāsūtras), perhaps second only to the Heart Sūtra, both of which became especially popular in the East Asian Buddhist traditions. It is a crucial source for Mahāyāna tenets of selflessness and the emptiness of phenomena, and its discourse is framed as an explanation of how to enter into the vehicle of the bodhisattvas by developing and sustaining their enlightened perspective.
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Śālistambasūtra
In this sūtra, at the request of venerable Śāriputra, the bodhisattva mahāsattva Maitreya elucidates a very brief teaching on dependent arising that the Buddha had given earlier that day while gazing at a rice seedling. The text discusses outer and inner causation and its conditions, describes in detail the twelvefold cycle by which inner dependent arising gives rise to successive lives, and explains how understanding the very nature of that process can lead to freedom from it. (Source: 84000)
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Śūraṅgamasamādhisūtra
Śūraṃgamasamādhisūtra [or Śūraṅgamasamādhisūtra]. (T. Dpa' bar 'gro ba'i ting nge 'dzin gyi mdo; C. Shoulengyan sanmei jing; J. Shuryōgon zanmaikyō; K. Sunǔngǒm sammae kyǒng). In Sanskrit, "Sūtra on the Heroic-March Concentration," an early Mahāyāna sūtra that explains how the mind becomes free and unimpeded like the "march" (gama) of a "hero" (śūra), who "walks alone, fearlessly, like a lion." (This translated sūtra should be distinguished from the *Śūraṃgamasūtra, a Chinese apocryphal scripture of similar name, which dates from the early eighth century.) The Śūraṃgamasamādhi as taught in this sūtra not only enables bodhisattvas quickly to attain complete, perfect enlightenment (anuttarasamyaksaṃbodhi), but also ensures that even śrāvakas, pratyekabuddhas, and arhats are put on the right path leading to buddhahood. In addition, the Śūraṃgamasamādhi also permits enlightened beings to manifest themselves in any variety of forms in order to teach sentient beings. The sūtra also includes descriptions of the world systems of many other buddhas (buddhakṣetra), including Abhirati, the buddha-land of Akṣobhya. Although some fragments of the Sanskrit recension of the Śūraṃgamasamādhisūtra have survived, the full sūtra is extant only in an early-fifth-century translation attributed to the eminent Kuchean translator Kumārajīva, in two rolls, and in an early-ninth-century Tibetan translation. (Source: "Śūraṃgamasamādhisūtra." In The Princeton Dictionary of Buddhism, 873. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27)
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Prajñānāmamūlamadhyamakakārikā
Mūlamadhyamakakārikā. (T. Dbu ma rtsa bai tshig le'u byas pa; C. Zhong lun; J. Chüron; K. Chung non 中論). In Sanskrit, "Root Verses on the Middle Way"; the magnum opus of the second-century Indian master Nāgārjuna ; also known as the Prajñānāmamūlamadhyamakakārikā and the Madhyamakaśāstra. (The Chinese analogue of this text is the Zhong lun, which renders the title as Madhyamakaśāstra. This Chinese version was edited and translated by Kumārajīva . Kumārajīva's edition, however, includes not only Nāgārjuna's verses but also Piṅgala's commentary to the verses.) The most widely cited and commented upon of Nāgārjuna's works in India, the Mūlamadhyamakakārikā, was the subject of detailed commentaries by such figures as Buddhapālita, Bhāvaviveka, and Candrakīrti (with Candrakīrti's critique of Bhāvaviveka's criticism of a passage in Buddhapālita's commentary providing the locus classicus for the later Tibetan division of Madhyamaka into *Svātantrika and *Prāsaṅgika). In East Asia, it was one of the three basic texts of the "Three Treatises" school (C. San lun zong), and was central to Tiantai philosophy. Although lost in the original Sanskrit as an independent work, the entire work is preserved within the Sanskrit text of Candrakīrti's commentary, the Prasannapadā (serving as one reason for the influence of Candrakīrti's commentary in the European reception of the Mūlamadhyamakakārikā). The work is composed of 448 verses in twenty-seven chapters. The topics of the chapters (as provided by Candrakīrti) are the analysis of: (1) conditions (pratyaya), (2) motion, (3) the eye and the other sense faculties (indriya), (4) aggregates (skandha), (5) elements (dhātu), (6) passion and the passionate, (7) the conditioned (in the sense of production, abiding, disintegration), (8) action and agent, (9) prior existence, (10) fire and fuel, (11) the past and future limits of saṃsāra, (12) suffering, (13) the conditioned (saṃskāra), (14) contact (saṃsarga), (15) intrinsic nature (svabhāva), (16) bondage and liberation, (17) action and effect, (18) self, (19) time, (20) assemblage (sāmagrī), (21) arising and dissolving, (22) the tathāgata, (23) error, (24) the four noble truths, (25) nirvāṇa, (26), the twelve links of dependent origination (pratītyasamutpāda), and (27) views. (Source: "Mūlamadhyamakakārikā." In The Princeton Dictionary of Buddhism, 553. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)
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