Prince Shōtoku's Commentary on the Śrīmālā Sutra

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Prince Shōtoku's Commentary on the Śrīmālā Sutra
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Description

Taishō 2185

Volume 56

This work is a commentary on the Śrīmālā-sūtra (Taisho No.16), and is considered to be the earliest of the "Commentaries on Three Sūtras" (Jp. San-gyō-gi-sho) composed by Prince Shōtoku. The Nihon-shoki ("Chronicles of Japan") records that Prince Shōtoku gave a discourse on the Śrīmālā-sūtra for Empress Suiko. It is considered that Prince Shōtoku chose this particular sūtra as the subject of his discourse to the Empress probably because the protagonist of the Śrīmālā-sūtra is a woman, Śrīmālā, and Empress Suiko was the first Empress in Japanese history. The present work was then put together in book-form in Chinese at a later date. Be that as it may, there is no changing the fact that this was the first written work composed by a Japanese.

Source
Jp. Shōmangyō gisho (勝鬘經義疏), attributed to Prince Shōtoku. 1 fascicle. (Source: BDK America)

Citation
Dennis, Mark W., trans. Prince Shōtoku's Commentary on the Śrīmālā Sutra. BDK English Tripiṭaka Series. Moraga, CA: BDK America, 2011. https://bdkamerica.org/product/prince-shotokus-commentary-on-the-srimala-sutra/.
Publisher Link
Table of contents
  • A Message on the Publication of the English Tripiṭaka, NUMATA Yehanv
  • Editorial Foreword, MAYEDA Sengakuvii
  • Publisher's Foreword, John R. McRaeix
  • Translator's Introduction, Mark W. Dennisxiii
  • Conventions for the Translationxix
  • Prince Shōtoku's Commentary on the Śrīmālā Sutra
  • Introduction
    • The Contents of the Sutra3
    • The Title of the Sutra3
    • The Three Divisions of Buddhist Sutras4
  • Part I. Commentary on the Introductory Teaching
    • The General Introduction7
    • The Specific Introduction9
  • Part II. Commentary on the Main Teaching
    • Chapter One: Praising the True Merits of the Tathāgata13
    • Chapter Two: The Ten Main Ordination Vows21
    • Chapter Three: The Three Great Vows29
    • Chapters Four and Five: "Other-Practice"30
    • Chapter Four: Embracing the True Dharma31
    • Divisions of Chapter Four32
    • Chapter Five: The One Vehicle51
    • Part Two of the Sutra's Main Teaching93
    • The General Explanation94
    • Chapter Six: The Unlimited Noble Truths94
    • Chapter Seven: The Tathāgatagarbha97
    • Chapter Eight: The Dharma Body107
    • Chapter Nine: The Concealed Truth: The Meaning of Emptiness109
    • The Specific Explanation111
    • Chapter Ten: The One Noble Truth112
    • Chapter Eleven: The One Refuge115
    • Chapter Twelve: The Distorted Truths117
    • Chapter Thirteen: The Intrinsically Pure121
    • Chapter Fourteen: The True Children of the Tathāgata128
  • Part III. The Propagation of the Teaching 
    • Propagation of the Teaching 1: The Buddha Returns to Śrāvastī131
    • Propagation of the Teaching 2: Transmitting the Sutra131
    • Propagation of the Teaching 3: The Sixteen Names for the Sutra132
  • Notes135
  • Glossary137
  • Bibliography151
  • Index157
  • A List of the Volumes of the BDK English Tripiṭaka (First Series)167
Interconnections
1 Full translation of
Classical WorksAbout this item
Shōmangyō gisho (勝鬘經義疏; T 2185), attributed to Prince Shōtoku (574–622), is a commentary in Chinese on the Śrīmālādevīsiṃhanādasūtra. It is the first of the "Commentaries on Three Sūtras" (Sangyō gisho) traditionally ascribed to Shōtoku, alongside those on the Lotus and Vimalakīrti sūtras. According to the Nihon shoki, Shōtoku lectured on the sūtra for Empress Suiko, and the commentary is traditionally regarded as the earliest written work by a Japanese author. Its attribution to Shōtoku has been questioned by modern scholars. An English translation by Mark W. Dennis was published in the BDK English Tripiṭaka series (2011).
1 Related
Classical WorksAbout this item
One of the more prominent sūtra sources for the Ratnagotravibhāga, this text tells of the story of Śrīmālādevī taking up the Buddhist path at the behest of her royal parents based on a prophecy of the Buddha. It includes mention of important concepts related to the teachings on buddha-nature, such as the single vehicle and the four perfections, or transcendent characteristics, of the dharmakāya. It also mentions the notion that buddha-nature, which is equated with mind's luminous nature, is empty of adventitious stains but not empty of its limitless inseparable qualities. In his commentary on the Ratnagotravibhāga, Asaṅga quotes this sūtra more than any other source text. In particular, it is considered a source for the fifth of the seven vajra topics, enlightenment.