Sgom rim tha ma'i 'grel pa lha'i rnga sgra
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སྒོམ་རིམ་ཐ་མའི་འགྲེལ་པ་ལྷའི་རྔ་སྒྲ།
sgom rim tha ma'i 'grel pa lha'i rnga sgra
Commentary on the Final Bhāvanākrama: The Sound of the Divine Drum
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sgom rim tha ma'i 'grel pa lha'i rnga sgra [སྒོམ་རིམ་ཐ་མའི་འགྲེལ་པ་ལྷའི་རྔ་སྒྲ།]. [Commentary on the Final Bhāvanākrama: The Sound of the Divine Drum].
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1 Classical commentary of
The third and briefest of the Bhāvanākrama is devoted especially to the topics of śamatha and vipaśyanā, how each is cultivated, and how they are ultimately unified. Kamalaśīla argues that analysis (vicāra) into the lack of self (ātman) in both persons (pudgala) and phenomena (dharma) is required to arrive at a nonconceptual state of awareness. The three texts are widely cited in later Tibetan Buddhist literature, especially on the process for developing śamatha and vipaśyanā. (Source: "Bhāvanākrama." In The Princeton Dictionary of Buddhism, 112–13. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)
Sgom rim tha ma'i 'grel pa lha'i rnga sgra/Full text
