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From Bodhicitta
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B
Zenkar, Alak. "Bodhicaryāvatāra: Teaching Methods & Overview." Translated by Adam Pearcey from an audio recording. Lotsawa House, 2008. https://www.lotsawahouse.org/tibetan-masters/alak-zenkar/bodhicharyavatara-teaching-methods-overview. +
Hindi translation of Śāntideva's ''Bodhicaryāvatāra'' and Prajñākaramati's ''Pañjikā'' by Swami Dvārikādāsa Śāstrī, with text and commentary in Sanskrit. +
Sanskrit recension of the ''Bodhicaryāvatāra'' by Śāntideva. Edited by Hara Prasad Shastri, 1894. +
Written by Prajñākaramati (950–1030), the ''Bodhicaryāvatārapañjikā'' is considered to be the most important Indian commentary on the ''Bodhicaryāvatāra''by Śāntideva. This commentary explains the words in the verses (''tshig 'grel''), with additional commentaries on difficult points. Excluding The Dedication Chapter, it has only nine chapters. +
Read the full text of this work here on our website. +
A critical Sanskrit edition of Prajñākaramati's commentary to the ''Bodhicaryāvatāra'' entitled the ''Bodhicaryāvatārapañjikā'', edited by Louis de La Vallée Poussin +
This commentary is an explanation of the meaning (''don 'grel'') of the ten chapters. The commentary begins with a short biography of Śāntideva. +
Read the full text of this work here on our website. +
"It seems like lecture notes in a reading of the BCA and the BCAP side by side. However, there are original comments, too."
:Bodhicaryāvatāraṭippaṇī [0.2]
:Source: NAK 1.772 = NGMPP B 23/4
:Correct order of folios: 1, 2 (missing), 3, 4, 5, 6, 7, 22, 23, 24, 25, 26,
8, 27, 8’, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21.
:The first group of scribal hands seem to be those of students. The
master of the project was most likely ‘the red ink corrector’. This is
not simply a later reader’s hand, since sometimes the main text leaves
spaces for akṣaras it could not make out in the exemplar awaiting
consultation with red ink. Judging by the misread akṣaras, the
exemplar was in a very similar, Eastern script. The folios may have
been recycled. It is as if sometimes we can see the previous akṣaras.
Double daṇḍas are on the whole used very thoughtfully, so I have
decided to keep them. The main scribe/s has a strange propensity
towards gemination in ttva even if it is not needed, e.g. the abstract
suffix.
:As for the text, it seems like lecture notes in a reading of the BCA and
the BCAP side by side. However, there are original comments, too.
:Péter-Dániel Szántó
:Universiteit Leiden
:Last version: 10.10.12 +
Read the full text of this work here on our website. +
Pearcey, Adam, trans. "Bodhicaryāvatāra—Chapter 1." By Śāntideva. Lotsawa House. Accessed April 1, 2016. https://www.lotsawahouse.org/indian-masters/shantideva/bodhicharyavatara-1. +
Pearcey, Adam, trans. "Bodhicaryāvatāra—Chapter 2." By Śāntideva. Lotsawa House. Accessed April 1, 2016. https://www.lotsawahouse.org/indian-masters/shantideva/bodhicharyavatara-2. +
Pearcey, Adam, trans. "Bodhicaryāvatāra—Chapter 3." By Śāntideva. Lotsawa House. Accessed April 1, 2016. https://www.lotsawahouse.org/indian-masters/shantideva/bodhicharyavatara-3. +
This webpage provides general information regarding the function of the ''Bodhicaryāvatāra'' in the context of Tibetan Buddhist practice. +
Bodhicharyavatara Chapter 10: Dedication +
Bodhicharyavatara Chapter 10, Stanza 1 +
Bodhicharyavatara Chapter 10, Stanzas 2-10 +
Bodhicharyavatara Chapter 10, Stanzas 11-17 +
Bodhicharyavatara Chapter 10, Stanzas 18-30 +
Bodhicharyavatara Chapter 10, Stanzas 31-40 +
