|
|
| Line 19: |
Line 19: |
| </div> | | </div> |
|
| |
|
| <h3>Khenchen Kunzang Palden's ''The Nectar of Mañjushri's Speech'' and Minyak Kunzang Sönam's ''The Brilliant Torch''</h3>
| |
|
| |
|
| {{InlineImage
| |
| |float=left
| |
| |img=Wisdom Two Buddhist Commentaries new.jpg
| |
| |width=200px
| |
| |caption=[[Wisdom: Two Buddhist Commentaries]]
| |
| }}
| |
| Khenchen Kunzang Pelden and Minyak Kunzang Sönam . . . were both close disciples of Dza Patrul Rinpoche.<ref>Patrul Rinpoche, Orgyen Jigme Chökyi Wangpo (1808-1887), also known as Dzogchen Palge Tulku.</ref>
| |
| Together with Jamyang Khyentse
| |
| Wangpo (1820-1892), Jamgön Kongtrul and Jamgön Ju Mipham<ref>Mipham Rinpoche (1846-1912), also known as Mipham Jamyang Gyatso and Jampel Gyepai Dorje.</ref>
| |
| and others, this famous master was one of the foremost representatives of the Rime or non-sectarian movement, which did so
| |
| much to restore and invigorate Buddhism in Tibet in the course of
| |
| the 19th century. Patrul Rinpoche has been acknowledged as the
| |
| greatest authority of his time on the ''Bodhicharyavatara'', Shantideva's
| |
| masterpiece on the stages of the Bodhisattva path, and it is not
| |
| surprising that many of the commentaries written around the turn
| |
| of the century bear witness to the pervasive influence of his oral
| |
| lineage.<ref>As an example of the Rime attitude, it is interesting to note that Patrul Rinpoche would, according to circumstances, teach commentaries by Gyalse
| |
| Ngulchu Thogme, Sönam Tsemo and Pawo Tsuklag Trengwa, as well as his own oral tradition.</ref>
| |
| This is true of Mipham Rinpoche's celebrated exegesis of
| |
| the ninth chapter,<ref>This brilliant and profound commentary gave rise to intense debate. Mipham
| |
| Rinpoche replied to his critics in two further works (see bibliography).</ref>
| |
| as well as of the two commentaries translated
| |
| here, which by the unity of their source and the diversity of the style
| |
| and content, are particularly fine examples of the non-sectarian
| |
| spirit.
| |
|
| |
| Khenchen Kunzang Pelden (c.1870-c.1940), better known as
| |
| Khenpo Kunpel, was a disciple also of Mipham Rinpoche. His lucid
| |
| and accessible commentary on the ninth chapter closely follows the
| |
| interpretation of Mipham Rinpoche which in turn is based on the
| |
| teachings that Patrul Rinpoche gave at Dzogchen Shri Singha. The
| |
| text translated here is in fact an excerpt taken from a much larger
| |
| presentation of the ''Bodhicharyavatara''. This, together with similar commentaries by Shechen Gyaltsab Pema Namgyal and Mewa
| |
| Sönam Chödrup, also disciples of Patrul Rinpoche, is widely used
| |
| in Nyingmapa colleges inside and outside Tibet.
| |
|
| |
| Khenpo Kunpel also wrote a biography of Patrul Rinpoche, and
| |
| several other important works including a history of the Vinaya and
| |
| a commentary on Mipham Rinpoche's ''Torch of Certainty'' (''nges shes sgron me''). He was highly respected in eastern Tibet and his disciples
| |
| included Dzongsar Khyentse Chökyi Lodrö and many other important masters.
| |
|
| |
| Minyak Kunzang Sönam, also known as Chökyi Trakpa, was
| |
| Patrul Rinpoche's closest disciple in the Gelug tradition. He studied
| |
| with him for over twenty years, with a devotion that knew no
| |
| bounds. In Kunzang Sönam's time, the interpretation of the
| |
| ''Bodhicharyavatara''<i>'</i>s ninth chapter had already given rise to much
| |
| philosophical controversy between the various Tibetan Buddhist
| |
| schools. It is therefore interesting to note that the masters who
| |
| requested him to write commentaries on this delicate subject were
| |
| Lungtok Tenpai Nyima (Patrul Rinpoche's principal dzogchen disciple) and Lerab Lingpa, or Tertön Sogyal (1856-1926), both followers of the Nyingma school. This illustrates how genuine the non-sectarian movement was, and indeed still is, and how close was
| |
| the relationship between the masters who took part in it.
| |
|
| |
| Minyak Kunzang Sönam in fact wrote two commentaries on the
| |
| ninth chapter, ''The Brilliant Torch'', a word-by-word commentary on
| |
| the root text, which has been translated here, and another commentary expounding the general meaning of the Perfection of Transcendent Wisdom. He also composed an extensive commentary on the
| |
| first eight chapters of the ''Bodhicharyavatara''.
| |
|
| |
| In ''The Brilliant Torch'', Kunzang Sönam follows the traditional
| |
| interpretations of the Gelugpa school as set forth by Je Tsongkhapa
| |
| (1357-1419) and Gyaltsab Darma Rinchen (1362-1432).
| |
|
| |
|
| |
| <div class="row">
| |
| {{Tile
| |
| |wrapper-classes=col-12
| |
| |image=Padmakara logo.png
| |
| |header=Wisdom: Two Buddhist Commentaries
| |
| |text=Blankleder, Helena, Wulstan Fletcher, and Stephen Gethin (Padmakara Translation Group), trans. "Historical Note." In ''Wisdom: Two Buddhist Commentaries on the Ninth Chapter of Shantideva's Bodhicharyavatara'', Khenchen Kunzang Palden's ''The Nectar of Mañjushri's Speech'' and Minyak Kunzang Sönam's ''The Brilliant Torch'', xv-xvi. Saint Léon sur Vézère, France: Editions Padmakara, 1999.
| |
| |page=Wisdom: Two Buddhist Commentaries
| |
| |min-height=0px
| |
| }}
| |
| </div>
| |
|
| |
|
| }} | | }} |